方太極 | waarchi

Taiji [2]

About the 「 Parties」
" Party" What ? " Party" can be mathematical algebra " infinite square " concept , you can also learn the metaphysical moral " right way " criterion , also, or physics metaphysical " force " stable concept. Whether spiritual or the material master object, by its very nature stem from the fundamental notion that people in their lives to pursue a " middle ground ."

About「Taichi yin and yang 」
" Tai Chi " which is an important concept in the history of Chinese thought , " Yi" : " Easy Tai Chi is two appearances , while two appearances that means" yin and yang . " From the " yin and yang " pure interpretation of mathematics can be " negative " number concepts , but also metaphysical and moral science " evil " values, also, or metaphysical physics " action and reaction " concept .

About the「yin」
Yin in the " outside " / floor outdoor pool side setting miniature Chinese garden , nothing more emphasis on the role of the town house enrichment . Omo glass floor space and penetrating the semi- outdoor pool garden interconnected .
Yin Yu "old" / retention of existing buildings on the first floor ceiling panels correspond to the new classical decorative line into space to make a minimalist fusion of old and new .
Yin Yu " Chaos " / floor space of irregular geometry using the cutting block with two floors stable icosahedral order geometry , forming a contrast with the conflict between the internal order of integration.

About the 「yang 」

Yang Yu "internal " / folk believe that " ShiGandang " There exorcism snubbing the role of the spirit of the stone to give and give " courage to act to resist evil and wicked and wild " implications . A vertical moving line floor stairs and entrance door to each other hedge , as an exemption on feng shui taboos , set " stone tablets " geometric imagery in meeting room foyer area . Through its abstract cement folded plate tectonic vocabulary reinterpreted " town " on the inside, half embedded in the wall, extending to the ground.

Yang Yu "new" / use rationally define beauty , into abstract lines performance shaping "contemporary" rational aesthetic experience . And to conform to the spatial characteristics of the user getting younger and younger , giving trends and stylish visual vocabulary . Floor by the entrance door can be seen a large-scale modeling flaps extended conference tables, stairs without handrails vertical moving line with two floors of the semi-open space use and so on.
Yang in the " order" / case that is taking Tai Chi pattern to distinguish the concept of yin and yang as the space is mainly design vocabulary . Space just as Tai Chi internal and external relations of the regional integration of the connotation , in the configuration form an integration between the internal order . From a traditional Chinese garden floor outdoor pool , floor space from the two regions and the route plan , are an attempt to find an abstract pattern on the order of nature .

About the 「user」

Case the user is engaged in the art of digital audiovisual cultural and creative workers . Initially the focus of concern about the design concept will soon have an external space ( Chinese pond garden ) on the building interior space into ( mechanisms or events ) possibilities. Through the user 's own creative philosophy " square Taiji " shall have the imagination of spatial structure and elemental perception of space as a means of intervention , based on the concept of Yin and Yang Tai Chi Aioi shaping space " moderation and balance ."

[方]太極

關於「方」

「方」是什麼? 「方」可以是數學代數中「無窮平方數」的概念，也可以是道德學中形而上的「正道」準則，亦或是物理學中形而下「力」穩定的概念。無論是精神抑或物質的主客體，其本質源自一個根本的概念，即人們終其一生所追求的「中庸之道」。

關於「太極中的陰陽」

「太極」即是中國思想史上的重要概念，《易傳》：「易有太極，是生兩儀。而兩儀即意謂「陰與陽」。從「陰陽」純粹的解釋，可以是數學中「正負」數的概念，也可是道德學中「正邪」的價值觀，亦或是物理學中「作用力與反作用力」的概念。

關於「陰」

陰於「外」 / 一樓戶外側邊設置微型中國水池園林，不外乎強調鎮宅聚財的作用。大面落地玻璃使半穿透性的空間與戶外水池園林互相連結。

陰於「舊」 / 一樓天花板保留既有建築古典裝飾線板對應新置入的極簡空間做出新舊的融合。

陰於「混沌」 / 一樓空間中運用不規則幾何切割的塊面體與二樓層穩定秩序幾何，形成一種內在秩序間對比與衝突的整合。

關於「陽」

陽於「內」/ 民間相信「石敢當」有驅邪止煞的作用，將石頭給予靈化，並賦予「敢於擔當驅邪與抵擋凶煞」的意涵。一樓層樓梯處垂直動線與入口大門彼此對沖，為免除風水上的禁忌，設置「石敢當」的幾何意象於門廳會議室區域。透過其抽象的水泥折板構造語彙重新詮釋「鎮」於內，半嵌於牆，延伸於地。

陽於「新」 / 利用理性層面界定美感，融入抽象的線條表現，形塑「當代」理性的美感經驗。並以符合使用者年輕化趨勢的空間特色，賦予潮流及時尚的視覺語彙。由一樓層入口進門可見到大尺度折板造型延伸的會議桌，無扶手的垂直樓梯動線與二樓層的半開放空間運用等。

陽於「秩序」 / 本案即是取太極圖案中區分陰陽的概念來作為空間主要設計語彙。空間各區域內外關係恰如太極融合的內涵，在配置上形成一種內在秩序間的整合。從一樓層戶外傳統中國園林水池中，從二樓層空間區域與動線計畫中，皆企圖尋找一種型式上抽象秩序性。

關於「使用者」

本案使用者為從事數位音像藝術創作的文創工作者。設計最初概念即將重心關注在即有外部空間(中國水池園林)上對於建築內部空間置入(機制或事件)的可能性。透過使用者自身的創作哲學「方太極」，將具想像力的空間性構造及元素視為介入知覺空間的手段，依據太極相生的陰陽概念形塑空間的「中庸與平衡」。